SINGING LESSONS
ONLINE
WITH MARIA JOSÉ DULÍN
Individual, personalized lessons. It is not necessary to have previous knowledge of singing or music.
We sing the songs you like and the style you prefer.
CONTACT
ONLINE Singing Lessons
A space for fun and learning where we "sing for the sake of singing". Where the premise is "if I don't know anything, it's better".

Individual, personalized lessons. It is not necessary to have previous knowledge of singing or music.

We work on basic concepts to learn to use our voice and sing WITHOUT EFFORT. You learn to sing with freedom. We sing the songs you like and the style you prefer.
More info
Maria José Dulin
Born in Mar del Plata, María José Dulin began her musical studies at the age of 6 at the Thibaud Piazzini Conservatory, as a piano student.

She has been teaching vocal technique applied to singing since 2010. She currently teaches singing at the Vocal Performance Workshop of the Luis Gianneo Conservatory of Mar del Plata, a position she won by competition.
She studied at the Escuela Municipal de Arte Dramático in the city of Mar del Plata. In 1995 she began her studies of phoniatrics with Lic. María Rosa Nicolai. She began her career as an opera singer at the Instituto Superior de Arte del Teatro Colón, continuing her studies of vocal technique with baritone Omar Carrión and soprano Mónica Philibert.

She made her debut as a soloist at the Teatro Colón in Buenos Aires, participating in the productions of Stravinsky's The Marriage, Manon, La Traviata, Electra, The Abduction from the Seraglio, Mahagonny Songspiell, Violanta, Boris Godunov, Falstaff, among others.

She has also starred in the operas The Marriage of Figaro, La Medium, La Cenerentola, Lucia di Lammermoor, Thaïs, Elixir of Love, Rigoletto, Don Pasquale, Amelia al Ballo, Norma, Un giorno di Regno and numerous choral symphonies and concerts in the most important theaters in our country: Beethoven's 9th Symphony, Mozart's Requiem, Carmina Burana, Mahler's 4th Symphony...

Hired on numerous occasions to perform La Traviata, Rigoletto and Norma in Chile. Invited on two occasions to participate in the International Festival of Classical Music in Ushuaia. She was chosen by tenor Darío Volonté to accompany him in his summer concert Aria Libre in the city of Mar del Plata.

Acclaimed by specialized critics in all opera productions, especially La Traviata, a work that earned her significant praise from the press nationally and internationally.

Winner of the Estrella de Mar Award 2019 of the city of Mar del Plata, for Best Musical Show for the Opera La Traviata.
Individual Singing Workshop
Individual lessons of 1 hour duration.

Intensive technical vocal work on three aspects:

BREATHING / SUPPORT / ARTICULATION.

Aimed at singers of all levels and musical genres.

Vocal training workshops also for choir directors and teachers.
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Group Singing Workshop
A space for fun and learning where we "sing for the sake of singing". Where the premise is "if I don't know anything, it's better". Where we sing without shame or inhibitions. Where bridges of communication and rapprochement are built through the act of singing.

A body carries its own history. Learning to know it and listen to it, to differentiate the tensions, the masking, the sensations of well-being and fullness, allows us to live better.
Aimed at adults over 18 years old.
Weekly meetings of 1 hour and a half with a coffee break.
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Vocal preparation for choirs
The formation of the ensemble choral sound is something that is at the origin of choral activity: the first thing the listener hears from a choir is its sound, pleasant or unpleasant, in tune or out of tune, conjunct or "multitimbral".

The work may be easy or difficult, but that does not register to the listener. What matters is the good or bad impression of the choral sound. A simple work performed with good timbre and intonation will always be pleasant to hear; while a difficult work, no matter how interesting it may be, will be unpleasant if the choir is not in tune or does not emit well.

This vocal technique is, therefore, necessary and indispensable: failure to do so could generate problems for the vocal health of the choristers, the more they sing and with less control.

The technique will provide them with a lot of vocal clarity, great intonation and a high level of artistic performance.
More info
Videos
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